midicnTheory 中文

To count an interval's degree, do exactly one thing: count from the lower note up to the higher one and see how many letter names are involved. C to E is C, D, E — three names, so a third. C to G is C, D, E, F, G — five names, so a fifth.

That is all there is to it, yet beginners get it wrong almost every time, for one reason: they are still thinking in semitones.

Count names, not keys

IntervalLetter names countedDegree
C to DC, Dsecond
C to EC, D, Ethird
C to GC, D, E, F, Gfifth
C to C (an octave up)C, D, E, F, G, A, B, Coctave

Degree looks only at letter names and has nothing to do with how many black or white keys lie in between. The first counter-intuitive consequence: one degree can come in different widths. C to E spans four semitones; D to F spans three — both are thirds, because both contain three letter names.

That difference in width is not an exception but the norm. It is decided by semitones and whole tones, and it is why major and minor intervals exist at all.

A rule of thumb: count both endpoints

Counting only the notes "in between" is the classic mistake. C to E has just one D in the middle, but it is a third, not a second, because C and E count too. The eight degree names are really just "how many letter names this span contains".

Degree = position of the last name − position of the first + 1 E is the fifth letter, B is the seventh → 7 − 5 + 1 = 3, so E–B is a third.

Diagram: counting letter names, not keys

Same seven letter names, different pairs of endpoints → different degrees CDE FGA BC C–E: three letter names → a third C–G: five letter names → a fifth E–F: two letter names → a second (only a semitone wide)

The last row is the point: E and F sit right next to each other, yet the interval is a second. So "close together" and "low degree number" are two different things.

Listen: two widths of the same degree

Every step in this figure is a second, yet they are not all the same width — same counting, different sound.

Common misconceptions

Listen in the library

Scales, Arpeggios, and CadencesC13:22A scale exercise — neighbouring notes are always one letter name apart, the purest sample of a secondDetailsOde to JoyC10:37The Ode to Joy theme moves almost entirely by step — dozens of chances to count letter names in a rowDetailsInvention 1C11:03Bach's first two-part invention — as the voices interlace, one degree after another appears, good for making the counting automaticDetails

All tracks from midicn-lib — inline badge is the license tier (C1 commercial / C2 non-commercial / C3 study only).

Sources

  • 音程度数按音级名(含首尾)计数的定义,属乐理通则,各版教科书表述一致
  • 本文行文为原创,未采用参考源句式

Used for fact-checking only; all prose is original.